Really, I just wanted to show how smart I was by using the word germane. Truthfully, there are a lot terms and various acronyms that will get tossed around at writing conferences, in groups of writers, and in blog posts about writing. This post is an attempt to define those terms for all you newbies out there.
POV (point of view)--during a workshop featuring the fabulous Susan Elizabeth Phillips this term came up. She described it as being inside the character's head, looking through their eyes, or being beside the character, observing them in the situation. An example would be,
Stacy's heart pounded in her chest and the cold sweat of fear beaded on her skin.
She knew the killer was close, she could feel him. That is from Stacy's point of view. If you were observing Stacy, it might read,
Her heart beat was audible in the room, the sweat beading on her skin a clear indication of her fear. She had to know the killer was close by. This is the point of view of someone who can observe both Stacy and the killer. Not the best of examples, but sometimes POV shifts can be subtle. Also, repeated shifts of POV in a book can sometimes be difficult to follow. There are no hard and fast rules about whose point of view to use, when and how to switch them. Bottom line, if you change POV, have a reason for it. Try not to head hop (back and forth between character's POV's). Your manuscript should read seamlessly.
GMC (Goal, Motivation, Conflict)--This refers to a fairly simple concept. Your character must want something (goal), there must be a reason why want it (motivation), and there must be an obstacle to their getting what they want (conflict). Example, your main character wants the of respect of snobby people in her home town--that is her goal. She wants this because she was made fun of and teased growing up poor and looked down on--that is her motivation. In spite of everything she's done and achieved in her life, the townspeople still see her as the same poor, white trash she was growing up--that is her conflict, that she isn't really able to control how other people see her.
The Black Moment--I feel like that phrase should be accompanied by the dum, de dum, dum dum of the Dragnet theme music. In almost every romance novel, there is a point, usually near the end of the book, when all hope seems lost. In short, this is the cliffhanger before the HEA (next segment, I swear). When the heroine believes the hero has cheated on, when the hero realizes that he has a history of madness in his family and to protect the heroine from himself he leaves her, when the heroine finds damning evidence that the hero actually only married her for money and that she can't trust anything he says, etc. etc. You get the point. Regardless of what form it takes, this is a moment in the point where it seems that there are insurmountable obstacles to the couple being together. Naturally there aren't. In terms of writing a black moment, the important thing is that it needs to seem organic in the story. In other words, if there has been no hint at all in the book that the hero has a history of being a rake or womanizer, suddenly throwing in the suspicion of infidelity ISN'T organic. However, if all along the hero has been sort of emotionally distant or afraid to express his feelings, an argument between the hero and heroine where he says something stupid and horrific such as "There is no such thing as love. It's nothing but a word for poets and fools". That would be organic to the character.
HEA (Happily Ever After)--This is the reason we all read romance and write it. We all want to believe in the Happily Ever After. These very within genre. In some books, the couple gets married, others they have children, some they ride off into the sunset for a life of adventure...Bottom line is, they are together. The level of commitment depends on the genre (inspirational, contemporary, historical) and also on the characters themselves. These are happy, hopeful end points where we can say goodbye to characters we've become invested in and believe that they are going on to better and happier things.
There are more terms and acronyms, many more. This is a sampling to start, and more will be added later.